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blurry shape stepped off the reedy bank

500 Into a crackling, gulping swamp, and sank.

Canto Three

L’if, lifeless tree! Your great Maybe, Rabelais:

The grand potato.

I.P.H., a lay

Institute (I) of Preparation (P)

For the Hereafter (H), or If, as we

Called it — big if! — engaged me for one term

To speak on death («to lecture on the Worm,»

Wrote President McAber).

You and I,

And she, then a mere tot, moved from New Wye

To Yewshade, in another, higher state.

510 I love great mountains. From the iron gate

Of the ramshackle house we rented there

One saw a snowy form, so far, so fair,

That one could only fetch a sigh, as if

It might assist assimilation.

Iph

Was a larvorium and a violet:

A grave in Reason’s early spring. And yet

It missed the gist of the whole thing; it missed

What mostly interests the preterist;

For we die every day; oblivion thrives

520 Not on dry thighbones but on blood-ripe lives,

And our best yesterdays are now foul piles

Of crumpled names, phone numbers and foxed files.

I’m ready to become a floweret

Or a fat fly, but never, to forget.

And I’ll turn down eternity unless

The melancholy and the tenderness

Of mortal life; the passion and the pain;

The claret taillight of that dwindling plane

Off Hesperus; your gesture of dismay

530 On running out of cigarettes; the way

You smile at dogs; the trail of silver slime

Snails leave on flagstones; this good ink, this rhyme,

This index card, this slender rubber band

Which always forms, when dropped, an ampersand,

Are found in Heaven by the newlydead

Stored in its strongholds through the years.

Instead

The Institute assumed it might be wise

Not to expect too much of paradise:

What if there’s nobody to say hullo

540 To the newcomer, no reception, no

Indoctrination? What if you are tossed

Into a boundless void, your bearings lost,

Your spirit stripped and utterly alone,

Your task unfinished, your despair unknown,

Your body just beginning to putresce,

A non-undressable in morning dress,

Your widow lying prone on a dim bed,

Herself a blur in your dissolving head!

While snubbing gods, including the big G,

550 Iph borrowed some peripheral debris

From mystic visions; and it offered tips

(The amber spectacles for life’s eclipse) —

How not to panic when you’re made a ghost:

Sidle and slide, choose a smooth surd, and coast,

Meet solid bodies and glissade right through,

Or let a person circulate through you.

How to locate in blackness, with a gasp,

Terra the Fair, an orbicle of jasp.

How to keep sane in spiral types of space.

560 Precautions to be taken in the case

Of freak reincarnation: what to do

On suddenly discovering that you

Are now a young and vulnerable toad

Plump in the middle of a busy road,

Or a bear cub beneath a burning pine,

Or a book mite in a revived divine.

Time means succession, and succession, change:

Hence timelessness is bound to disarrange

Schedules of sentiment. We give advice

570 To widower. He has been married twice:

He meets his wives; both loved, both loving, both

Jealous of one another. Time means growth,

And growth means nothing in Elysian life.

Fondling a changeless child, the flax-haired wife

Grieves on the brink of a remembered pond

Full of a dreamy sky. And, also blond,

But with a touch of tawny in the shade,

Feet up, knees clasped, on a stone balustrade

The other sits and raises a moist gaze

580 Toward the blue impenetrable haze.

How to begin? Which first to kiss? What toy

To give the babe? Does that small solemn boy

Know of the head-on crash which on a wild

March night killed both the mother and the child?

And she, the second love, with instep bare

In ballerina black, why does she wear

The earrings from the other’s jewel case?

And why does she avert her fierce young face?

For as we know from dreams it is so hard

590 To speak to our dear dead! They disregard

Our apprehension, queaziness and shame —

The awful sense that they’re not quite the same.

And our school chum killed in a distant war

Is not surprised to see us at his door,

And in a blend of jauntiness and gloom

Points at the puddles in his basement room.

But who can teach the thoughts we should roll-call

When morning finds us marching to the wall

Under the stage direction of some goon

600 Political, some uniformed baboon?

We’ll think of matters only known to us —

Empires of rhyme, Indies of calculus;

Listen to distant cocks crow, and discern

Upon the rough gray wall a rare wall fern;

And while our royal hands are being tied,

Taunt our inferiors, cheerfully deride

The dedicated imbeciles, and spit

Into their eyes just for the fun of it.

Nor can one help the exile, the old man

610 Dying in a motel, with the loud fan

Revolving in the torrid prairie night

And, from the outside, bits of colored light

Reaching his bed like dark hands from the past

Offering gems; and death is coming fast.

He suffocates and conjures in two tongues

The nebulae dilating in his lungs.

A wrench, a rift — that’s all one can foresee.

Maybe one finds le grand néant; maybe

Again one spirals from the tuber’s eye.

620 As you remarked the last time we went by

The Institute: «I really could not tell

The difference between this place and Hell.»

We heard cremationists guffaw and snort

At Grabermann’s denouncing the Retort

As detrimental to the birth of wraiths.

We all avoided criticizing faiths.

The great Starover Blue reviewed the role

Planets had played as landfalls of the soul.

The fate of beasts was pondered. A Chinese

630 Discanted on the etiquette at teas

With ancestors, and how far up to go.

I tore apart the fantasies of Poe,

And dealt with childhood memories of strange

Nacreous gleams beyond the adults’ range.

Among our auditors were a young priest

And an old Communist. Iph could at least

Compete with churches and the party line.

In later years it started to decline:

Buddhism took root. A medium smuggled in

640 Pale jellies and a floating mandolin.

Fra Karamazov, mumbling his inept

All is allowed, into some classes crept;

And to fulfill the fish wish of the womb,

A school of Freudians headed for the tomb.

That tasteless venture helped me in a way.

I learnt what to ignore in my survey

Of death’s abyss. And when we lost our child

I knew there would be nothing: no self-styled

Spirit would touch a keyboard of dry wood

650 To rap out her pet name; no phantom would

Rise gracefully to welcome you and me

In the dark garden, near the shagbark tree.

«What is that funny creaking — do you hear?»

«It is the shutter on the stairs, my dear.»

«If you’re not sleeping, let’s turn on the light.

I hate that wind! Let’s play some chess.» «All right.»

«I’m sure it’s not the shutter. There — again.»

«It is a tendril fingering the pane.»

«What glided down the roof and made that thud?»

660 «It is old winter tumbling in the mud.»

«And now what shall I do? My knight is pinned.»

Who rides so late in the night and the wind?

It is the writer’s grief. It is the wild

March wind. It is the father with his child.

Later came minutes, hours, whole days at last,

When she’d be absent from our thoughts, so fast

Did life, the woolly caterpillar run.

We went to Italy. Sprawled in the sun

On a white beach with other pink or brown

670 Americans. Flew back to our small town.

Found that my bunch of essays The Untamed

Seahorse was «universally acclaimed»

(It sold three hundred copies in one year).

Again school started, and on hillsides, where

Wound distant roads, one saw the steady stream

Of carlights all returning to the dream

Of college education. You went on

Translating into French Marvell and Donne.

It was a year of Tempests: Hurricane

680 Lolita swept from Florida to Maine.

Mars glowed. Shahs married. Gloomy Russians spied.

Lang made your portrait. And one night I died.

The Crashaw Club had paid me to discuss

Why Poetry Is Meaningful To Us.

I gave my sermon, a dull thing but short.

As I was leaving in some haste, to thwart

The so-called «question period» at the end,

One of those peevish people who attend

Such talks only to say they disagree

690 Stood up and pointed his pipe at me.

And then it happened — the attack, the trance,

Or one of my old fits. There sat by chance

A doctor in the front row. At his feet

Patly I fell. My heart had stopped to beat,

It seems, and several moments passed before

It heaved and went on trudging to a more

Conclusive destination. Give me now

Your full attention.

I can’t tell you how

I knew — but I did know that I had crossed

700 The border. Everything I loved was lost

But no aorta could report regret.

A sun of rubber was convulsed and set;

And blood-black nothingness began to spin

A system of cells interlinked within

Cells interlinked within cells interlinked

Within one stem. And dreadfully distinct

Against the dark, a tall white fountain played.

I realized, of course, that it was made

Not of our atoms; that the sense behind

710 The scene was not our sense. In life, the mind

Of any man is quick to recognize

Natural shams, and then before his eyes

The reed becomes a bird, the knobby twig

An inchworm, and the cobra head, a big

Wickedly folded moth. But in the case

Of my white fountain what it did replace

Perceptually was something that, I felt,

Could be grasped only by whoever dwelt

In the strange world where I was a mere stray.

720 And presently I saw it melt away:

Though still unconscious I was back on earth.

The tale I told provoked my doctor’s mirth.

He doubted very much that in the state

He found me in «one could hallucinate

Or dream in any sense. Later, perhaps,

But not during the actual collapse.

No, Mr. Shade.»

But, Doctor, I was dead!

He smiled. «Not quite: just half a shade,» he said.

However, I demurred. In mind I kept

730 Replaying the whole thing. Again I stepped

Down from the platform, and felt strange and hot,

And saw that chap stand up, and toppled, not

Because a heckler pointed with his pipe,

But probably because the time was ripe

For just that bump and wobble on the part

Of a limp blimp, an old unstable heart.

My vision reeked with truth. It had the tone,

The quiddity and quaintness of its own

Reality. It was. As time went on.

740 Its constant vertical in triumph shone.

Often when troubled by the outer

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blurry shape stepped off the reedy bank 500 Into a crackling, gulping swamp, and sank. Canto Three L'if, lifeless tree! Your great Maybe, Rabelais: The grand potato. I.P.H., a lay