continued, raising his voice, ‘allow me to tell you a little anecdote. I had a friend, and this friend also had a friend, who at first conducted himself as befits a gentleman but afterwards took to drink. So one day early in the morning, my friend meets him in the street (and by that time, note, the acquaintance has been completely dropped) meets him and sees he is drunk. My friend went and turned his back on him. But he ran up and said, «I would not be angry,» says he, «if you refused to recognise me, but why should you turn your back on me? Perhaps I have been brought to this through grief. Peace to my ashes!»‘

Shubin paused.

‘And is that all?’ inquired Elena.

‘Yes that’s all.’

‘I don’t understand you. What are you hinting at? You told me just now not to look your way.’

‘Yes, and now I have told you that it’s too bad to turn your back on me.’

‘But did I?’ began Elena.

‘Did you not?’

Elena flushed slightly and held out her hand to Shubin. He pressed it warmly.

‘Here you seem to have convicted me of a bad feeling,’ said Elena, ‘but your suspicion is unjust. I was not even thinking of Avoiding you.’

‘Granted, granted. But you must acknowledge that at that minute you had a thousand ideas in your head of which you would not confide one to me. Eh? I’ve spoken the truth, I’m quite sure?’

‘Perhaps so.’

‘And why is it? why?’

‘My ideas are not clear to myself,’ said Elena.

‘Then it’s just the time for confiding them to some one else,’ put in Shubin. ‘But I will tell you what it really is. You have a bad opinion of me.’

‘I?’

‘Yes you; you imagine that everything in me is half-humbug because I am an artist, that I am incapable not only of doing anything—in that you are very likely right—but even of any genuine deep feeling; you think that I am not capable even of weeping sincerely, that I’m a gossip and a slanderer,—and all because I’m an artist. What luckless, God-forsaken wretches we artists are after that! You, for instance, I am ready to adore, and you don’t believe in my repentance.’

‘No, Pavel Yakovlitch, I believe in your repentance and I believe in your tears. But it seems to me that even your repentance amuses you—yes and your tears too.’

Shubin shuddered.

‘Well, I see this is, as the doctors say, a hopeless case, casus incurabilis. There is nothing left but to bow the head and submit. And meanwhile, good Heavens, can it be true, can I possibly be absorbed in my own egoism when there is a soul like this living at my side? And to know that one will never penetrate into that soul, never will know why it grieves and why it rejoices, what is working within it, what it desires—whither it is going… Tell me,’ he said after a short silence, ‘could you never under any circumstances love an artist?’

Elena looked straight into his eyes.

‘I don’t think so, Pavel Yakovlitch; no.’

‘Which was to be proved,’ said Shubin with comical dejection. ‘After which I suppose it would be more seemly for me not to intrude on your solitary walk. A professor would ask you on what data you founded your answer no. I’m not a professor though, but a baby according to your ideas; but one does not turn one’s back on a baby, remember. Good-bye! Peace to my ashes!’

Elena was on the point of stopping him, but after a moment’s thought she too said:

‘Good-bye.’

Shubin went out of the courtyard. At a short distance from the Stahov’s house he was met by Bersenyev. He was walking with hurried steps, his head bent and his hat pushed back on his neck.

‘Andrei Petrovitch!’ cried Shubin.

He stopped.

‘Go on, go on,’ continued Shubin, ‘I only shouted, I won’t detain you—and you’d better slip straight into the garden—you’ll find Elena there, I fancy she’s waiting for you… she’s waiting for some one anyway…. Do you understand the force of those words: she is waiting! And do you know, my dear boy, an astonishing circumstance? Imagine, it’s two years now that I have been living in the same house with her, I’m in love with her, and it’s only just now, this minute, that I’ve, not understood, but really seen her. I have seen her and I lifted up my hands in amazement. Don’t look at me, please, with that sham sarcastic smile, which does not suit your sober features. Well, now, I suppose you want to remind me of Annushka. What of it? I don’t deny it. Annushkas are on my poor level. And long life to all Annushkas and Zoyas and even Augustina Christianovnas! You go to Elena now, and I will make my way to—Annushka, you fancy? No, my dear fellow, worse than that; to Prince Tchikurasov. He is a Maecenas of a Kazan-Tartar stock, after the style of Volgin. Do you see this note of invitation, these letters, R.S.V.P.? Even in the country there’s no peace for me. Addio!’ Bersenyev listened to Shubin’s tirade in silence, looking as though he were just a little ashamed of him. Then he went into the courtyard of the Stahovs’ house. And Shubin did really go to Prince Tchikurasov, to whom with the most cordial air he began saying the most insulting things. The Maecenas of the Tartars of Kazan chuckled; the Maecenas’s guests laughed, but no one felt merry, and every one was in a bad temper when the party broke up. So two gentlemen slightly acquainted may be seen when they meet on the Nevsky Prospect suddenly grinning at one another and pursing up their eyes and noses and cheeks, and then, directly they have passed one another, they resume their former indifferent, often cross, and generally sickly, expression.

X

Elena met Bersenyev cordially, though not in the garden, but the drawing-room, and at once, almost impatiently, renewed the conversation of the previous day. She was alone; Nikolai Artemyevitch had quietly slipped away. Anna Vassilyevna was lying down upstairs with a wet bandage on her head. Zoya was sitting by her, the folds of her skirt arranged precisely about her, and her little hands clasped on her knees. Uvar Ivanovitch was reposing in the attic on a wide and comfortable divan, known as a ‘samo-son’ or ‘dozer.’ Bersenyev again mentioned his father; he held his memory sacred. Let us, too, say a few words about him.

The owner of eighty-two serfs, whom he set free before his death, an old Gottingen student, and disciple of the ‘Illuminati,’ the author of a manuscript work on ‘transformations or typifications of the spirit in the world’—a work in which Schelling’s philosophy, Swedenborgianism and republicanism were mingled in the most original fashion—Bersenyev’s father brought him, while still a boy, to Moscow immediately after his mother’s death, and at once himself undertook his education. He prepared himself for each lesson, exerted himself with extraordinary conscientiousness and absolute lack of success: he was a dreamer, a bookworm, and a mystic; he spoke in a dull, hesitating voice, used obscure and roundabout expressions, metaphorical by preference, and was shy even of his son, whom he loved passionately. It was not surprising that his son was simply bewildered at his lessons, and did not advance in the least. The old man (he was almost fifty, he had married late in life) surmised at last that things were not going quite right, and he placed his Andrei in a school. Andrei began to learn, but he was not removed from his father’s supervision; his father visited him unceasingly, wearying the schoolmaster to death with his instructions and conversation; the teachers, too, were bored by his uninvited visits; he was for ever bringing them some, as they said, far-fetched books on education. Even the schoolboys were embarrassed at the sight of the old man’s swarthy, pockmarked face, his lank figure, invariably clothed in a sort of scanty grey dresscoat. The boys did not suspect then that this grim, unsmiling old gentleman, with his crane-like gait and his long nose, was at heart troubling and yearning over each one of them almost as over his own son. He once conceived the idea of talking to them about Washington: ‘My young nurslings,’ he began, but at the first sounds of his strange voice the young nurslings ran away. The good old Gottingen student did not lie on a bed of roses; he was for ever weighed down by the march of history, by questions and ideas of every kind. When young Bersenyev entered the university, his father used to drive with him to the lectures, but his health was already beginning to break up. The events of the year 1848 shook him to the foundation (it necessitated the re-writing of his whole book), and he died in the winter of 1853, before his son’s time at the university was over, but he was able beforehand to congratulate him on his degree, and to consecrate him to the service of science. ‘I pass on the torch to you,’ he said to him two hours before his death. ‘I held it while I could; you, too, must not let the light grow dim before the end.’

Bersenyev talked a long while to Elena of his father. The embarrassment he had felt in her presence disappeared, and his lisp was less marked. The conversation passed on to the university.

‘Tell me,’ Elena asked him, ‘were there any remarkable men among your comrades?’

Bersenyev was again reminded of Shubin’s words.

‘No, Elena Nikolaevna, to tell you the truth, there was not a single remarkable