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The Jew and Other Stories

opportunity of showing it, expressing, at the same time, his regret that he had been so unlucky as to displease the young heir. Mr. Ratsch had carefully studied Semyon Matveitch’s character; his calculations did not lead him astray. ‘This man’s devotion to me admits of no doubt, for the very reason that after I am gone he will be ruined; my heir cannot endure him.’… This idea grew and strengthened in the old man’s head. They say all persons in power, as they grow old, are readily caught by that bait, the bait of exclusive personal devotion….

Semyon Matveitch had good reason to call Mr. Ratsch his Araktcheev…. He might well have called him another name too. ‘You’re not one to make difficulties,’ he used to say to him. He had begun in this condescendingly familiar tone with him from the very first, and my stepfather would gaze fondly at Semyon Matveitch, let his head droop deprecatingly on one side, and laugh with good-humoured simplicity, as though to say, ‘Here I am, entirely in your hands.’

Ah, I feel my hands shaking, and my heart’s thumping against the table on which I write at this moment. It’s terrible for me to recall those days, and my blood boils…. But I will tell everything to the end… to the end!

A new element had come into Mr. Ratsch’s treatment of me during my brief period of favour. He began to be deferential to me, to be respectfully familiar with me, as though I had grown sensible, and become more on a level with him. ‘You’ve done with your airs and graces,’ he said to me one day, as we were going back from the big house to the lodge. ‘Quite right too! All those fine principles and delicate sentiments—moral precepts in fact—are not for us, young lady, they’re not for poor folks.’

When I had fallen out of favour, and Michel did not think it necessary to disguise his contempt for Mr. Ratsch and his sympathy with me, the latter suddenly redoubled his severity with me; he was continually following me about, as though I were capable of any crime, and must be sharply looked after. ‘You mind what I say,’ he shouted, bursting without knocking into my room, in muddy boots and with his cap on his head; ‘I won’t put up with such goings on! I won’t stand your stuck-up airs! You’re not going to impose on me. I’ll break your proud spirit.’

And accordingly, one morning he informed me that the decree had gone forth from Semyon Matveitch that I was not to appear at the dinner-table for the future without special invitation…. I don’t know how all this would have ended if it had not been for an event which was the final turning-point of my destiny….

Michel was passionately fond of horses. He took it into his head to break in a young horse, which went well for a while, then began kicking and flung him out of the sledge…. He was brought home unconscious, with a broken arm and bruises on his chest. His father was panic-stricken; he sent for the best doctors from the town. They did a great deal for Michel; but he had to lie down for a month. He did not play cards, the doctor forbade him to talk, and it was awkward for him to read, holding the book up in one hand all the while. It ended by Semyon Matveitch sending me in to his son, in my old capacity of reader.

Then followed hours I can never forget! I used to go in to Michel directly after dinner, and sit at a little round table in the half-darkened window. He used to be lying down in a little room out of the drawing-room, at the further end, on a broad leather sofa in the Empire style, with a gold bas-relief on its high, straight back. The bas-relief represented a marriage procession among the ancients. Michel’s head, thrown a little back on the pillow, always moved at once, and his pale face turned towards me: he smiled, his whole face brightened, he flung back his soft, damp curls, and said to me softly, ‘Good-morning, my kind sweet girl.’ I took up the book—Walter Scott’s novels were at the height of their fame in those days—the reading of Ivanhoe has left a particularly vivid recollection in my mind…. I could not help my voice thrilling and quivering as I gave utterance to Rebecca’s speeches. I, too, had Jewish blood, and was not my lot like hers? Was I not, like Rebecca, waiting on a sick man, dear to me? Every time I removed my eyes from the page and lifted them to him, I met his eyes with the same soft, bright smile over all his face. We talked very little; the door into the drawing-room was invariably open and some one was always sitting there; but whenever it was quiet there, I used, I don’t know why, to cease reading and look intently at Michel, and he looked at me, and we both felt happy then and, as it were, glad and shamefaced, and everything, everything we told each other then without a gesture or a word! Alas! our hearts came together, ran to meet each other, as underground streams flow together, unseen, unheard… and irresistibly.

‘Can you play chess or draughts?’ he asked me one day.

‘I can play chess a little,’ I answered.

‘That’s good. Tell them to bring a chess-board and push up the table.’

I sat down beside the sofa, my heart was throbbing, I did not dare glance at Michel,… Yet from the window, across the room, how freely I had gazed at him!

I began to set the chessmen… My fingers shook.

‘I suggested it… not for the game,’… Michel said in an undertone, also setting the pieces, ‘but to have you nearer me.’

I made no answer, but, without asking which should begin, moved a pawn… Michel did not move in reply… I looked at him. His head was stretched a little forward; pale all over, with imploring eyes he signed towards my hand…

Whether I understood him… I don’t remember, but something instantaneously whirled into my head…. Hesitating, scarcely breathing, I took up the knight and moved it right across the board. Michel bent down swiftly, and catching my fingers with his lips, and pressing them against the board, he began noiselessly and passionately kissing them…. I had no power, I had no wish to draw them back; with my other hand I hid my face, and tears, as I remember now, cold but blissful… oh, what blissful tears!… dropped one by one on the table. Ah, I knew, with my whole heart I felt at that moment, all that he was who held my hand in his power! I knew that he was not a boy, carried away by a momentary impulse, not a Don Juan, not a military Lovelace, but one of the noblest, the best of men… and he loved me!

‘Oh, my Susanna!’ I heard Michel whisper, ‘I will never make you shed other tears than these.’

He was wrong… he did.

But what use is there in dwelling on such memories… especially, especially now?

Michel and I swore to belong to each other. He knew that Semyon Matveitch would never let him marry me, and he did not conceal it from me. I had no doubt about it myself and I rejoiced, not that he did not deceive me—he could not deceive—but that he did not try to delude himself. For myself I asked for nothing, and would have followed where and how he chose. ‘You shall be my wife,’ he repeated to me. ‘I am not Ivanhoe; I know that happiness is not with Lady Rowena.’

Michel soon regained his health. I could not continue going to see him, but everything was decided between us. I was already entirely absorbed in the future; I saw nothing of what was passing around me, as though I were floating on a glorious, calm, but rushing river, hidden in mist. But we were watched, we were being spied upon. Once or twice I noticed my stepfather’s malignant eyes, and heard his loathsome laugh…. But that laugh, those eyes as it were emerged for an instant from the mist… I shuddered, but forgot it directly, and surrendered myself again to the glorious, swift river…

On the day before the departure of Michel—we had planned together that he was to turn back secretly on the way and fetch me—I received from him through his trusted valet a note, in which he asked me to meet him at half-past nine in the summer billiard-room, a large, low-pitched room, built on to the big house in the garden. He wrote to me that he absolutely must speak with me and arrange things. I had twice already met Michel in the billiard-room… I had the key of the outer door. As soon as it struck half-past nine I threw a warm wrap over my shoulders, stepped quietly out of the lodge, and made my way successfully over the crackling snow to the billiard-room. The moon, wrapped in vapour, stood a dim blur just over the ridge of the roof, and the wind whistled shrilly round the corner of the wall. A shiver passed over me, but I put the key into the lock, went into the room, closed the door behind me, turned round… A dark figure became visible against one of the walls, took a couple of steps forward, stopped…

‘Michel,’ I whispered.

‘Michel is locked up by my orders, and this is I!’ answered

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opportunity of showing it, expressing, at the same time, his regret that he had been so unlucky as to displease the young heir. Mr. Ratsch had carefully studied Semyon Matveitch's